Let there be no doubt. The past year has given us a clear glimpse of Web 3.0 and how we will experience it. First Jefferson Han gave us the multi-touch interface to this new multi-dimensional world. Now Blaise Aguera y Arcas gives us the information architecture behind that glass rectangle. Blaise Aguera y Arcas is an architect at Microsoft Live Labs, and in this breathtaking video he shows what Ethan Zuckerman called, after this TED2007 (technology, entertainment, design) presentation, “Perhaps the most amazing demo I’ve seen this year.” You be the judge.
Author: Jeff Larche
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A magical feat worthy of Hogwarts: Harry Potter book materializes via text message incantation
I read somewhere that Italy has more pet dogs than it does children. That is a bad thing in a country — a sign of negative population growth. However, I tell you very selfishly that this ratio — more dogs than kids — is an excellent thing in a high rise. Take mine for example. The elevators and lobby are teeming with canines, usually on the business end of leashes held by a slack-skinned residents such as myself.
So how do you account for the fact that the mail room of our building today was full of USPS notices of the arrival of the same parcel: The last in the Harry Potter book series? Obviously I’m not the only “kid at heart.”
But this kid has a decidedly geeky side. I pre-ordered mine three months ago using nothing but the keypad of my cell phone. As I stated then, in my account of ordering the book, the service that made this miracle of commerce possible is a harbinger of things to come.
Here were the steps I used to order my copy of this juvenile horse-choker:
I registered (just once) at the ShopText site. I provided the usual: My name and shipping address, and my credit card information. I also gave them my email address and cell phone number. That’s when the real wizardry began.
I received a receipt via email and SMS (i.e., cell phone text message). It included my short password, something needed to avoid ordering fraud
Then, all I had to do was send a text to ShopText’s “short code,” which is a 5- or 6-digit cell phone number that communicates with an SMS server. I placed the keyword in the message body, “Potter,” as instructed in the print ad that offered this ordering option.
I received a confirmation on pricing, which also requested the security password. Once received, the system sent my cell phone — and my email Inbox — a receipt for the purchase. Poof! Within three minutes I had scratched my itch and bought this last of the Harry Potter series.
And that’s the point.
If SMS ordering catches on at all, it will be because of the ease with which spontaneous purchases can be made before having time to think something like, “Heck, I can always go to the bookstore.”
This is a system that deserves to succeed, and it probably will, considering what big, pampered kids I and my fellow boomers have become.
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Make sure your mass emails look good naked
My Gmail account is set so I don’t see images embedded in emails unless I choose to, on a case-by-case basis. I just received another email today from the company that sent the one below. In both cases, I had no idea who was sending it to me, unless I remembered what company is behind the Goldpoints Plus continuity program I subscribed to ages ago (fat chance!). Can you tell me who this is? This is a screen capture of the first one I received.

And here is what that same email revealed once I turned on the images:
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What playwrights can teach about strong ad copy
Playwrights listen to the way people talk. The best of them turn this spoken music into something more than the merely authentic. They use it to convey a higher truth (even if the play simply makes us laugh; or maybe especially if it does). So what about ad copy — be it online, on a printed page or whatever?
Must jarring authenticity go out the window as the “polish” of professionalism is applied to an ad? This week, Roy Williams made an eloquent case for sparing some of the polish that can water down an ad and sap its power.
Williams even makes reference to a wonderful statement in the first chapter of a book of his — a book I’d recommend to anyone who is looking for a fresh perspective on advertising and marketing. Right there on Page 12 of The Wizard of Ads are these “Nine Secret Words”:
The risk of insult is the price of clarity.
Think of this the next time you review a proposed ad that is a little too jarring for your comfort. It could be bad, or unwise. This is always possible. BUT, it might instead be the most effective marketing investment you make this year.
Advertising legend David Oglivy once wrote that the ideal copywriter is “half killer and half poet.” I don’t know any professional killers, but I do have my favorite poets. Most of them, from what I’ve read about them, would be about as welcome in “polite company” as a paid assassin. Or a brilliant playwright, for that matter.
Could it be that this untamed, feral quality in art is something you should be looking for in commerce — in your next online ad, perhaps?
