Wish you had a map to the social media landscape? Here you go

This post, describing what the social media ecosystem looks like today, offers some excellent insights. Kudos to Fred Cavassa … brought to my attention by way of Jennifer Van Grove‘s “favorited Flickr” images, by way of her FriendFeed. Got that? If you’re unsure, Fred’s map may help:

Social Media Landscape

In Fred’s post, he defines these social media categories as follows:

  • Publication tools with blogs ( Typepad, Blogger, etc.), wikis ( Wikipedia, Wikia, Wetpaint, etc.) and citizen journalism portals ( Digg, Newsvine, etc.)
  • Sharing tools for videos ( YouTube, etc.), pictures ( FlickR, etc.), links ( del.icio.us, Ma.gnolia, etc.), music ( Last.fm, iLike, etc.), slideshows ( Slideshare), products reviews ( Crowdstorm, Stylehive, etc.) or products feedbacks ( Feedback 2.0, GetSatisfaction, etc.)
  • Discussions tools like forums ( PHPbb, vBulletin, Phorum, etc.), video forums ( Seesmic), instant messaging ( Yahoo! Messenger, Windows Live Messenger, Meebo, etc.) and VoIP ( Skype, Google Talk, etc.)
  • Social networks ( Facebook, MySpace, Bebo, Hi5, Orkut, etc.), niche social networks ( LinkedIn, Boompa, etc.) and tools for creating social networks ( Ning)
  • Micropublication tools ( Twitter, Pownce, Jaiku, Plurk, Adocu, etc.) and alike ( twitxr, tweetpeek)
    Social aggregation tools like lifestream ( FriendFeed, Socializr, Socialthing!, lifestrea.ms, Profilactic, etc.)
  • Platforms for livecast hosting ( Justin.tv, BlogTV, Yahoo! Live, UStream, etc.) and there mobile equivalent ( Qik, Flixwagon, Kyte, LiveCastr, etc.)
  • Virtual worlds ( Second Life, Entropia Universe, There, etc.), 3D chats ( Habbo, IMVU, etc.) and teens dedicated virtual universes ( Stardoll, Club Penguin, etc.)
  • Social gaming platforms ( ImInLikeWithYou, Doof, etc.), casual gaming portals ( Pogo, Cafe, Kongregate, etc.) and social networks enabeled games ( Three Rings, SGN)
  • MMO ( Neopets, Gaia Online, Kart Rider, Drift City, Maple Story) and MMORPG ( World of Warcraft, Age of Conan, etc.)

It’s a huge social media world. If you haven’t already, start exploring!


NOTE: The last days of my summer vacation are near an end. My friends will be able to view photos and accounts on my Facebook profile once I get home!

A look through the viewfinder reminds us that technology changes us irreversibly

As I post this, I’m still on vacation in the Faroe Islands, where I’ve attended the wedding of a dear friend’s daughter. It was a traditional ceremony, blending ancient and new traditions. For instance, ancient Faroese and Danish songs were sung during the wedding reception, which also featured PowerPoint slideshows of photos and Quicktime videos depicting the bachelor and bachelorette parties. Digital cameras were everywhere, of course.

I’ve thought for many months how digital technology has changed the way we experience the world. We like to think that we craft our tools to serve us, but the limitations of these tools cannot help but change us as well, in the same way that our human eyes see a different spectrum of light than, say, the puffins I photographed the other day on the steep Faroese cliffs.

One example of this profound change is electricity, which is quite obvious. The other is more subtle, and involves digital photography.

Electric Light: The Other Midnight Sun

Faroese weddings go on for two solid days. The first day, which included what Americans would call the reception, had three distinct meals (the formal dinner, the serving of cakes, and an early-morning soup course). The first meal was only just ending at 11 PM, which didn’t seem so late, since the sun was only just behind the horizon. What’s more, being so close to the Arctic Circle, the sun didn’t stay away for long. As it began to reemerge, at 4 AM, we were still dancing to a band that played exclusively American — and British Invasion — rock songs.

I was told that the wedding dancing of a few hundred years ago would have included a traditional Faroese dance that takes at least an hour to complete (danced, as it is, to a song with 300+ verses). Back then oil lamplight would have illuminted the steps. This certainly would have dampened some of the more boiserous aspects of the event!

So much about us has changed because of technology’s “electric sun.”

In Maury Klein’s The Power Makers: Steam, Electricity, and the Men Who Invented Modern America, I recently read of the pivitol day in September of 1882, when Thomas Edison, the man known as the “Wizard of Menlo Park,” illuminated the first 400 electric lights installed in New York City.

What struck me about his description is the muted reaction of New York Times reporters. Keep in mind that daily news reporting is driven by extremely tight press deadlines. Yet before the electric light, there was much that could be forgiven. A reporter could more easily file stories developed over weeks — and in the process, get more sleep.

Edison’s “lighting of New York” included 27 electric lamps in the Times editorial rooms. And so, you may wonder, what was the account of this sudden conquest over darkness from the reporters of “The Grey Lady?” Well, the column on Page 8 (yes, 8!) of the next day’s paper said it was, “In every way satisfactory.”

Klein made the obvious point that the paper, “never fully grasped its significance.” Only hindsight could show these reporters that their careers were to be changed forever. And also their family life. The electric light would extend both wedding festivities and work responsibilities — allowing for a day that need never fade into darkness.

Life In A Digital Viewfinder

In my travels these two weeks I’ve visited some extraordinary families (and I have one more to meet, in Belgium, before returning to the States). On the walls of homes in Milan, Berlin, Copenhagen — and now Torshavn, Faroe Islands — I’ve admired photos of relatives that sometimes go back to the very first silver plate photographs of the mid-1800’s. These photos are sometimes right next to the latest generation’s photos. Having observed at the same time some very ancient Eurpoean traditions, attitudes and mannerisms, I have to again posit that the medium has changed us as surely as we have changed the medium.

It was two years ago, when I saw this pose depicted in a still from a movie (illustrated below), that I first realized that the portability and disposability of digital camera technology actually created a new type of romantic embrace.

Compare the stock-still (and emotion-free) poses of couples and families in the tintypes of antiquity with this commonplace example of PDA (public display of affection), and you have to wonder if our cameras own us as much as we do them.

The Digital Camera Embrace

Traditional values — superceding romantic love with love of family, and narcissism with selflessness — may have been made quaint as much by our evolving tools as our evolving beliefs.

Am I onto something? Or have I simply been eating too much wedding day halibut salad and whale blubber?

Google and Radiohead: Two great tastes that taste great together

Google, it appears, has gotten into the music video business. They recently worked with Radiohead to create a video in support of the, HO USE OF_C ARDS. Watch the video, featuring the scanned face of Thom York:

What is so impressive is no cameras or lights were used. They instead collected information about the shapes and relative distances of objects (mostly York’s face) using laser scanning technology. The video was then created entirely through visualizations of this data.

Now explore that vast amounts of data that this laser face-scanning scanning technology yields. It’s amazing.

HOU SE OF_C ARDS video - data exploration

Boomers are not bloggers, but they still participate in social media

This morning a colleague passed along this MediaPost research brief, with the sexy but deceptive title: Boomers Are Not Bloggers. It stated what most will find obvious, that Baby Boomers have not “embraced social networking or blogs, despite being heavy users of other online services.”

Does this mean you should not focus on a social network strategy to reach this group? The answer is you definitely should have a strategy for them. But to echo the advice in Groundswell, you need to look at this group as observers and “passers-along” of social content — not active participants.

I humbly present a fairly strong case for targeting this group through social media accessed via search engines (i.e., open site such as TripAdvisor, as opposed to closed ones like Facebook. It’s called Boomers Aren’t Immune to the Branding Power of User-generated Content.

Can you provide other examples?

Nick Hornby on why no one is flocking to buy ebooks

A few weeks ago I faced the daunting task of buying a friend a book for his birthday. The challenge: By his own confession, this friend is not a book fan. Most years he’s one of the third of American adults who never picks up a book. But this year he wanted to start reading again.

So imagine how thrilled I was when in a flash of inspiration I realized I could convert my friend — a 36-year-old mechanic — into a rabid reader. I could hook him on one author’s books as surely as I could if he were an eighth grader and had never picked up Rowling’s Harry Potter series. The book I was thinking of was High Fidelity by Nick Horny. Although it’s not my favorite of this author’s (that’s reserved for How To Be Good), it is perfect for any man who has ever loved and lost and realized he’s done it in a most boneheaded fashion. And who is willing to laugh about it. Hard and often.

Hornby wins readers over by being brutally honest and extremely bright. Maybe it’s just me, but he strikes me as someone I could picture having a pint with down at the pub. (Yes, he’s British, but the film based on High Fidelity shifted in setting from a London record store to one set in Chicago, and stars John Cusack and a then-unknown Jack Black — it travels across the pond surprisingly well).

I reveal all his because Nick Hornby has a blog, and in it he recently listed all the reasons why book publishers should neither look at e-books as a threat or a salvation. In his view, the latests ebook reading devices, Amazon’s Kindle and the iRex Illiad, are non-starters. Here’s a demo video of the latter product:

Here is an excerpt of Hornby’s explanation of why ebooks won’t fly off their virtual shelves any time soon:

  1. Book readers like books, whereas music fans never had much affection for CDs. Vinyl yes, CDs no … For readers, a wall lined with books is as attractive as any art we could afford to put up there.
  2. E-book readers have a couple of disadvantages, when compared to mp3 players: When we bought our iPods, we already owned the music to put on it; none of us own e-books … [And] so far, Apple is uninterested in designing an e-book reader, which means that they don’t look very cool.
  3. We don’t buy many books – seven per person per year, a couple of which, we must assume, are presents for other people … The advantages of the Iliad and the Kindle –- that you can take vast numbers of books away with you – are of no interest to the average book-buyer.
  4. Book-lovers are always late adaptors [sic], and generally suspicious of new technology.
  5. The new capabilities of the iPod will make it harder to sell books anyway. How much reading has been done historically, simply because there is no television available on a bus or a train or a sun-lounger? But that’s no longer true.

Sadly, I think Hornby is again spot-on. Except for one category, I don’t see ebooks immediately selling in any sort of numbers. That exception is business books, which can be far more useful as searchable reference sources than as comforting fireside yarns — or in Hornby’s case, exhilaratingly and often hilarious ones.